有三首著名的《婚礼进行曲》。一为肖邦所作曲,二为门德尔松所作序曲《仲夏夜之梦》的第五幕前奏曲,一为瓦格纳所作歌剧《罗恩格林》第三幕开始时的一段混声合唱《婚礼大合唱》,因常用作婚礼音乐而得名《婚礼进行曲》,后被改编成管弦乐曲。 前者欢快激情,后者庄严肃穆。 按照西方的传统,新娘入场时要奏的是瓦格纳的《婚礼进行曲》。新人步出教堂时要奏门德尔松的《婚礼进行曲》。
There are three famous "Wedding March." One of the composer Chopin, Mendelssohn made two for Overture "Midsummer Night's Dream," the fifth act prelude to Wagner made an opera "Lohengrin" at the beginning of the third act some mixed chorus "Wedding Cantata", because often used as wedding music named "Wedding march", after being adapted into orchestral music. The former cheerful passion, the latter solemn. According to the Western tradition, the bride admission is to be played Wagner's "Wedding March." When the couple walked out of the church to be played Mendelssohn's "Wedding March."
人们熟知的《婚礼进行曲》共有两首,分别为门德尔松和瓦格纳的作品。门德尔松的《婚礼进行曲》是莎士比亚戏剧《仲夏夜之梦》所作的配乐。乐曲以响亮的小号声开始,接着进入到一段庄严的列队进行音乐,接下来是较轻松活泼的进行曲,重复两次后与木管乐器的优雅声混为一片,逐渐淡去。新人入场时只是播放开头部分,曲调庄严雄伟,气势昂扬。一般常被教堂婚礼选用为新郎、新娘进场时的曲目。
在非教堂婚礼中,更为普遍使用的是瓦格纳的《婚礼进行曲》。这是瓦格纳所作歌剧《罗恩格林》的第三幕中贵妇们引导新人入新房的混声合唱,改编成管弦乐就成了现在的《婚礼进行曲》。这首乐曲曲调优美,速度徐缓,庄重中不失抒情,是新人入场的绝配。
对两首乐曲都割舍不下的新人,常常会用瓦格纳的为进场曲,门德尔松的为退场曲。
People known as the "Wedding March" There are two, namely the works of Mendelssohn and Wagner. Mendelssohn's "Wedding March" is Shakespeare's "Midsummer Night's Dream," made the soundtrack. With a loud trumpet music began, and then enter into a period of solemn parade performed music, followed by a more relaxed and lively march, after repeated twice and woodwind sound elegant mix of one, gradually faded. Admission is only the beginning of the play when new tunes majestic, imposing high-spirited. General church wedding is often chosen as a track and groom, the bride comes into play.
In the non-church wedding, the more widespread use of Wagner's "Wedding March." It is made by Wagner opera "Lohengrin" in the third act ladies boot into the new house new mixed chorus, orchestra became adapted into the current "Wedding March." This song beautiful melody, speed, slow, solemn without losing the lyrical, the new admission perfect match.
On two songs are no less than give newcomers, often with Wagner's music for the admission, Mendelssohn's music for the exit.